From Bach to Prokofiev

Cathédrale de Lausanne Place de la Cathédrale 1005 Lausanne

Admission: Fr. 25.–
Seniors, apprentices and students: Fr. 20.–
Free admission for SCCL members
Tickets at www. monbillet.ch
and at the concert entrance

Marina Omelchenko Titular Organist of the Catholic Cathedral of Moscow

Johann Sebastian Bach 1685-1750
Fantasy in G major BWV 572
Chorales:
Ich ruf zu dir BWV 639
In dulci jubilo BWV 729
Liebster Jesu, wir sind hier BWV 731

Johann Gottfried Walther 1684-1748
Concerto in A major
I. Allegro
II. Largo
III. Allegro

Gabriel Pierné 1863-1937
Prelude op. 29 no. 1 / Cantilène op. 29 no. 2

Sigfrid Karg-Elert 1877-1933
From Choral-Improvisations op. 65:
I. Nun danket alle Gott

Vladimir Odoevsky 1804-1869
Prayer without Words

Michael Tariverdiev 1931-1996
From “Imitation of Old Masters”:
I. Chorale Preludes op. 103 no. 2 and 3

Alfred Lefébure-Wély 1817-1869
Concert Boléro

Karen Khachaturyan 1920-2011
From the ballet “Cipollino”:
I. Adagio
II. Final Dance

Sergei Prokofiev 1891-1953
From the ballet “Romeo and Juliet”:
I. Morning of the Streets
II. Dance of the Knights

Marina Omelchenko
Marina Omelchenko comes from a family of musicians. She began violin at age six and piano at age nine. In 1995, she graduated in musicology from the State University of Vladivostok. She continued her studies at the Moscow Conservatory with Alexey Parshin and completed her training at the Music Academy of Graz with Gunther Rost. Since 2004, she has been the titular organist of the Catholic Cathedral of Moscow and the artistic director of the “De Boni Arte” Foundation, which organizes the musical life of the building.

She is a member of the American Guild of Organists and the European Conference of Religious Music Associations. She has made numerous recordings and maintains an intense concert activity. Since 2010, she has been a guest soloist with the Beijing International Chamber Orchestra. Her repertoire is very broad, with a particular focus on the Baroque and Romantic periods.

Danze all’organo